A focused, experience-led insight into 35mm landscape photography – built on movement, light, and being present in the wild.

In this quietly powerful Kodak-produced film, legendary wilderness photographer Galen Rowell reflects on his approach to photographing remote landscapes, mountains, and fleeting natural light. Rather than presenting landscape photography as a technical exercise, Rowell frames it as something physical and experiential – rooted in walking, waiting, and responding.

Rowell was an exceptional advocate for 35mm photography in environments where larger formats were impractical. A climber and adventurer as much as a photographer, he needed equipment that could move with him. His work demonstrates how speed, awareness, and lens choice matter far more than absolute resolution.

Although not an Olympus OM photographer, Rowell’s working philosophy closely mirrors the OM ethos. He primarily shot Nikon 35mm cameras and favoured a disciplined, lightweight lens setup:

• • 24mm for expansive landscapes and foreground-driven compositions

• • 80-200mm for isolating distant forms and compressing scale

• • 55mm for natural perspective and balance

The emphasis is never on equipment for its own sake. Lenses are tools chosen for clarity and intention, not novelty.

Produced by Kodak, Mountain Light shows Rowell working in environments where light changes quickly and mistakes are costly. His process is deliberate but responsive – he studies the scene, anticipates the moment, and commits when conditions align.

This is not a modern tutorial. There are no presets, no checklists, no talk of optimisation. Instead, it’s a grounded reminder that great landscape photography often comes from being there, paying attention, and understanding how light behaves across terrain.

For OM users in particular, Rowell’s work is a valuable reference point: proof that small-format cameras, limited lenses, and physical engagement with the landscape can produce images of lasting power.